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We wonder how far we can push the colors when working directly with real raw information (from sensor and not from "raw" files) and reproduce the real Alexa look and then create our own Fuji film type look. Forget LUTs - for conveinence you want a real nice look out od the camera. A great look since already looks great is easy to grade - it's harder to make something good looking worse. Hope my pals (very good gfx programmers) can solve this and they're eager to.